Around the theme Decolonizing the body.
First research presentation at Induction. MataMalam Company
Photos Marc Garanger.
Chorégraphie et interprétation Saïda Naït-Bouda
Duration of performance 25".
Accompagnement à la recherche en danse Cinzia Menga
Collaboration Valentine Cohen
Images « Femmes algériennes 1960 » Marc Garanger
Poésie « La rapatrie » de Sofian’ Naït-Bouda
Musique Bande enregistrée à partir de composition originales de Camel Zekri.
Costume Raphaëlle Sinaï
Production La Cie Elhâl. Co-production Cie Mata Malam. NewRegentes Theater.
Accueil en résidence et présentation pulique
Festival Induction (Samonac). Septembre 2021. Cie MataMalam.
NewRegente theater. Novembre 2021 La Haye.Hollande en collaboration avec Bouchra Arbaoui et Fazl
« Algerian Women 1960” is an invitation to discover the choreographic universe and the research of Saïda Naït-Bouda that we could bring together on
the theme of the decolonization of the body.
Opening with the performance "Algerian Women 1960", the meeting continues with a dynamic exchange with the public.
To close this atypical dance conference, the public will be invited to join the dance circle. »
La performance « Femmes algériennes 1960 »
No hearth on earth so many steps to take
wind has no friend wind has no time
I drag along in my furrow voices of voiceless sadness
forefathers are but sobs
Keeping agonizing after they stopped talking
after being silenced
My flesh is from this blood
Like them I will cry on after having cried on
Like them I’ll pour this rain
Innerback Homeland | Sofian Naït-Bouda
In 1960 during the Algerian war, Marc Garanger, a young member of the contingent, photographed the "natives" as part of the regrouping of populations. The vast majority of women are forced to
reveal themselves and allow themselves to be photographed.
It is from the founding encounter with these photos that Saïda Naït-Bouda will initiate a process of artistic creation which involves the constant questioning of the body as a trace of individual and collective memory.
Through a slow - and long - initiatory research that will last 20 years, it will lead to the practice of the archaic movement of El hâl, (or state of divine presence in the Arabic language), exploration of trance and of the body reconnected to its alchemical relationship. with the earth.
An art where anchoring to the earth and verticality, the relationship to ancestral memories, the connection to the questions that agitate our society are all exploration where the artist and the spectator are at the heart of the healing process.
The reading of the poetry "La Rapatrie" by Sofian 'Naït-Bouda (son of the choreographer), the projection of the images "Algerian women 1960" by Marc Garanger, the dance ritual are all keys that bear witness to the quest and to the truth of being.
In this case, the truth of a landless, a rootless, which at the heart of the movement finds a space where to share a story that concerns us all.
The exchange time
In an intimate relationship with the public, Saïda Naït-Bouda relies on her knowledge of the art of orality to continue the performance with an original moment of exchange. Matching the words, not hesitating to sketch some movements, answering the questions of the public in a sincere and facetious way at the same time. A moment in continuity where we no longer know too well if we are not yet in the show.
The moment of collective practice
by the power of evocation and rocked by the magical rhythms, the members of the public are gradually brought into the circle of dance. A moment when everyone expresses their "hâl" to practice or
Algerian women can be accompanied by a series of workshops to meet the public..
> Large discovery workshops for all audiences
Dance El hâl. ---->
From Lamentation to trance, from archaic movement to creation ---->
> > Workshops for artists young people in training
Dancing the sacred, ritual space in dance.----->
> Women's rituals
Sacred feminine Anchoring to the earth ---->
> Workshops between parents and children
The 7 colors of the universe, a transposition of the Gnaouas rituals.